上个周末心情éƒ?闷的时候,想起æ?¥æˆ‘墙角的电å?‰ä»–,顺手æ“?èµ·æ?¥ï¼Œæ‰“开我的å°?èŠ¬è¾¾éŸ³ç®±ï¼Œä¹Ÿæ²¡æœ‰åŠ æ•ˆæžœå™¨ï¼Œç›´æŽ¥ç”¨éŸ³ç®±çš„å¤±çœŸï¼Œå?³å…´çŽ©äº†20多分钟å?‰ä»–噪音,顺便录下æ?¥äº†ã€‚20多分钟下æ?¥ï¼Œæ•´ä¸ªäººéƒ½è™šè„±äº†ã€‚比起电脑软件的声音艺术,硬件的噪音确实很直接,很身体,没有预演,身体和硬件一起动,身心å?ˆä¸€ï¼Œæ„Ÿè§‰é?žå¸¸æ£’,很久没有过了。
想起98年末到2000å¹´ï¼Œå¸ƒæ‹‰æ ¼ä¹‹æ˜¥ä¹?é˜Ÿè¿˜åœ¨å¦æ ¡å?Žé—¨çš„æµ·å¾·æ ¼å°”咖啡馆2楼排练,ç»?常和伙伴们一折腾就是å?Šå¤©ï¼Œå»¶ç»µä¸?æ–çš„å?‰ä»–噪音,也是到虚脱æ‰?去å–?é…’å?ƒé¥â€”—通常是在咖啡馆隔å£?的拉é?¢é¦†é‡Œå?ƒç¢—辣辣的拉é?¢ã€‚那个时候我们深å?—sonic youthå½±å“?,尤其喜欢他们早期的sonic death,confusion is sex,我和å?‰ä»–手xieè¿˜ç‰¹åˆ«å–œæ¬¢é‚£äº›æ— è°ƒæ€§çš„çŽ°ä»£æ´¾ï¼Œæ•´å¤©ç¥žç»?兮兮的。我入伙之å‰?,xie和鼓手è€?戴曾ç»?åœ¨åœ°ä¸‹å®¤ä¸¤ä¸ªäººè¿žç»æ¼”å¥?70多分钟,å?¯æƒœé‚£ç›’录音ç£?带早已ä¸?知所终。
å?Žæ?¥ï¼Œæˆ‘们的演出,也是é?žå¾—一首曲å?å?³å…´ï¼Œä¸?é™?定时间,然å?Žé«˜æ½®éƒ¨åˆ†ä¸€ç›´å™ªåˆ°è™šè„±æ‰?肯罢手,其ä¸ä»€ä¹ˆæ‰‹æ³•都用上了:å?‰ä»–æ?’上鼓棒,打ç?«æœºæ“¦å¼¦ï¼Œå?‰ä»–擦音箱和鼓,å?‰ä»–调弦å?˜è°ƒï¼Œæ— 休æ¢çš„啸å?«ï¼Œä»¿jimmyçš„fuzz效果器……99年末在上海外国è¯å¤§å¦çš„那次演出,xie用了至少6个å?•å?—效果器,牺牲了一把百ç?µç‰Œå›½äº§ç”µå?‰ä»–横躺在地方,连踩å?‰ä»–带调å?˜æ•ˆæžœå™¨ï¼ŒçŽ©å‡ºäº†æœ‰å?²ä»¥æ?¥æœ€å¼ºçš„噪音墙,我记得自己当时相对应的一å?—效果器都没用,å?ªç”¨äº†å?‰ä»–原声,那个时候主唱敲打三角é“?念念有è¯?ï¼Œé¼“æ‰‹æ‰‹é‡Œä¸€å¤§å †æ‰“å‡»ä¹?器,bass手å??在地上loopç?€ä¸€ä¸ªä¸ªçš„å?•音。这是一次奇妙的è?šä¼šï¼Œä¹‹å‰?没有预谋,整个å?³å…´æŒ?ç»äº†è‡³å°‘20分钟,有趣的是,进行到一å?Šçš„æ—¶å€™ï¼Œå?°åº•下的观众竟然打起æ?¥äº†ã€‚
é‚£ä¸ªæ—¶å€™çœŸçš„æ˜¯å¹´è½»ï¼Œå‡ å¹´ä¹‹å?Žï¼Œå¸ƒæ‹‰æ ¼ä¹‹æ˜¥ä¹Ÿå?˜æˆ?äº†å¸ƒæ‹‰æ ¼ï¼Œæ—©æœŸçš„æ‰€è°“å®žéªŒå™ªéŸ³ï¼Œå¿ƒé‡Œé‚£è‚¡æ‘‡æ‘†çš„ç¥žç»?质的情绪å?˜æˆ?äº†ç¼ ç»•çš„å?Žæ‘‡ã€‚赫赫。
现在,å?‰ä»–噪音å?ˆå¼€å§‹è¯±æƒ‘我了,周末å?³å…´çš„两个å?‰ä»–噪音track,是个开始。ä¸?ä»…é™?于å?‰ä»–,还有硬件噪音,我想就æ¤å¼€å§‹ä¸€ä¸ªå£°éŸ³è‰ºæœ¯ä¹‹å¤–çš„side-project。
这是�外一个纯粹的zafka。
January 23, 2006 at 7:36 pm
是ä¸?是一起æ?žå•Šï¼Ÿè½¯ç¡¬å…¼æ–½ã€‚ç‰ä¿ºå›žæ?¥çš„æ—¶å€™ã€‚
January 26, 2006 at 10:00 am
[...] Some news from the south: former Prague guitarist ZHANG Anding, who’s doing sound art under the alias of Zafka, is considering launching a guitar noise side project. Below is my translation of his blog post here. Noticing my electronic guitar sleeping at the corner of my room when in frustration over the last weekend, picking it up, turning my little Fender speakers on, and improvised for 20 mins – no effect pedals involved but pure guitar noise from the feedback of speakers. That 20 mins really exhausted me physically. Hardware noise is indeed more direct and physical than laptop/software-based sound art, there are no rehearsals, the body, when moving along your gears, becomes one with your mind. This feels really great, and it’s a feeling that I haven’t had for long. [...]
January 26, 2006 at 10:09 am
[...] Some news from the south: former Prague guitarist ZHANG Anding, who’s doing sound art under the alias of Zafka, is considering launching a guitar noise side project. Below is my translation of his blog post here. Noticing my electronic guitar sleeping at the corner of my room when in frustration over the last weekend, picking it up, turning my little Fender speakers on, and improvised for 20 mins – no effect pedals involved but pure guitar noise from the feedback of speakers. That 20 mins really exhausted me physically. Hardware noise is indeed more direct and physical than laptop/software-based sound art, there are no rehearsals, the body, when moving along your gears, becomes one with your mind. This feels really great, and it’s a feeling that I haven’t had for long. [...]